Demand
for his work is so great he was forced to expand the facilities
in Taos and Carefree, having doubled the size of the gallery
in the Carefree Galleria.
“I’ve
certainly been busy,” Challenger says. “The place in Carefree
has been very, very good to us. The space below us came open
and we acquired it and doubled the size of that gallery. The
response has been tremendous.
“We
even had to expand our staff. These are all positives.”
The
Winter Exhibition promises a couple of new features not seen
in Challenger’s Carefree gallery before.
“Besides
several new originals, I’m bringing some works‑in‑progress,”
he says. “They’ll be in different stages and will be available
to the public. I’ve done this before at different shows. It
gives people some insight as to how pieces develop.
“It
let’s people get up close and personal,” he says. “It’s like
coming to the studio. I kind of think people will like that.”
Challenger
said he prefers to work with the bigger pieces, allowing him
more freedom of movement when painting.
“The
ones I’m bringing are monster pieces,” he says. “I think one
is 84 inches high by how ever wide it is. The unfinished pieces
give me a chance to share my vision. Folks get to watch the
subject grow and develop.
“I
really enjoy working on the large pieces,” he says. “That’s
a perk of having your own gallery and studio. You get to do
what you want to do.”
Besides
imposing originals on display in the Carefree gallery, Challenger’s
capable staff displays gicle´es and serigraphs in a warm,
western‑themed room complete with animal skin rugs on
the walls and floor, and comfortable leather furniture on
which to relax as you browse.”
One
visit to the gallery might not be enough time for the senses
to absorb all there is to see.
Vallerie
Vickers, gallery director in Carefree, said the response to
the new facility has been wonderful.
“We
had one couple from Indiana who were just mesmerized by the
art. They just stood for hours and looked at it,” Vickers
says.
“Every
painting represents a story,” Vickers continues. “You can
see the spirit in each of the subject’s eyes. Some of the
people might not be real but the stories are real. When the
tribal elders come into the studio, everything just stops
because JD knows they have a story to tell. The stories are
not written in books and are handed down from generation to
generation.”
Vickers
said Challenger is honored to be the one chosen to hear the
stories and to capture them on canvas.
“The
elders feel comfortable telling JD. He said sometimes he gets
so involved in a piece he just breaks down emotionally and
has to stop,” Vickers says. “That’s how powerful the work
is and how much it means to him.
“He’s
a great guy,” Vickers says of her boss. “He spends time with
each and every client who commissions him. He sits down with
them for hours and hours getting background information as
to what they are looking for. The ultimate decision as to
what he’ll paint is his, but he welcomes the input. He wants
his clients to be happy.”
“I’m
real thankful I’ve been given the opportunity to expand,”
Challenger says. “I wanted to create a less crowded environment
in Carefree. I want a little more variety. It’s important
to me that people come in, whether they buy anything or not,
and feel at home. Stay as long as you want. I want you to
be comfortable.”
The
rise to the top of the artistic ladder didn’t happen overnight.
Challenger began his career in Taos painting landscapes, enjoying
a fair amount of success, while nurturing a desire to paint
Native Americans and their culture.
Upon
witnessing a real‑life American Indian Ghost Dance ceremony
being filmed for a movie, Challenger said his mission in life
became very clear.
“I
knew right then and there that’s what I wanted to do,” he
recalls. “I always knew I wanted to paint, but honest to God,
I never had enough sense to quit when things were tough. I
think I did quit one time–for about three days.
“I
have to credit my wife Denise for standing by me when there
was nobody else. She wouldn’t let me quit. She was the only
one who would never give up on me.”
Denise
encouraged him to show his work to his Native American friends.
When he did, he received approval from a holy man who told
him, “There has to be a messenger and he doesn't have to be
one of our people. The Creator chooses His own messengers.
Your path is to tell our story and educate people about the
past, and about what is still happening today.”
Challenger
took the blessing and began a journey in which he’s never
looked back.
“My
subjects are all real people and come from tribes all over
the country,” he explains. “I have friends literally from
the tribes in the Pacific Northwest to the Everglades in Florida.
“They
don’t come just to have their portrait done, they are here
to preserve history and their culture. There’s a movement
among the younger people in the tribes to know their history.
“A
lot of times they show up unannounced. When that happens everything
just stops. I have to capture the moment. When it’s gone it’s
gone.”
With
the expansion of the Carefree gallery, Challenger plans to
remain open year‑round to accommodate the growing art
community.
“It’s
becoming a real strong art community up there,” he says. “It’s
just going to keep growing and growing. We’re real happy and
humbled to be a part of it.”
The
Winter Exhibition will open with an artist’s reception from
6‑9 p.m. Feb. 23 in The Challenger Gallery on the upper
and lower floors of the Carefree Galleria.
The
Carefree Galleria is located at 37555 N. Hum Rd., Ste. 204,
in Carefree.
Hours
are 10 a.m. to 6 p.m. Sun. through Thurs. and 10 a.m. to 7
p.m. Fri. and Sat.
For
information call (480)‑575‑0012 or visit jdchallenger.com.