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Courtesy photo
Jessi Coulter returns to the stage with a new CD and a new outlook on life.
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Courtesy photo
Shooter Jennings, son of Waylon Jennings and Jessi Coulter, will perform with his mother in Carefree on July 1.
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Phoenix rises 'Out of the Ashes' in Carefree
Jessi Colter, wife of music legend Waylon Jennings, takes the stage with son Shooter Jennings

by Jennifer Krahe

CAREFREE – The mythological phoenix is said to rise out of its own ashes only to be reborn again and again into eternity. Songstress Jessi Colter, a woman with her own stories of rebirth, is that phoenix of myth. But the numerous risings she has experienced throughout her life are beautifully, desperately real. 

Colter, who was raised in the Valley, will take the stage at the Opera House on the grounds of Carefree Resort & Villas on July 1 along with her son Shooter Jennings. She will be performing songs from her latest, aptly titled album, “Out of the Ashes.”

Daughter

Born Mirriam Johnson, Colter spent the early years of her life with her mother, a Pentecostal minister, at revival meetings. “We evangelized in the summers,” she remembers. “I played the accordion and the piano.” Colter learned much from her mother, a woman she calls “a true missionary, well‑built for the calling–an eloquent, tactful, passionate woman.”

Her mother’s values became Colter’s own not because they were forced upon her, but simply because of the undeniable integrity her mother radiated. An interesting way to spend one’s young years, perhaps uplifting the spirits of the faithful gave Colter what would become an essential skill throughout her colorful, almost mythical, life: the ability to rise and be reborn like the phoenix, and to carry those who came in contact with her along for the ride.

Outlaw

It had been in her all the time, but didn’t manifest itself until she was parting ways with her first husband, Duane Eddy, the “twangy” electric rock guitar pioneer of the ’50s and ’60s. Days away from her divorce, Colter was seeking a new beginning without even realizing it. “It’s really strange,” she muses. “Sometimes to understand the decisions you make, you have to go back to the time you made them in order to figure out why.”

“My name was Mirriam Johnson then,” says Colter, who changed her name to suit her new persona. “It was Chet Atkins’ fault. He asked me if there was a family name I might want to take.”

Colter’s father used to tell her stories about Jesse Colter, her great‑great‑granduncle, who is purported to have been the chief counterfeiter for the Jesse James Gang.

“I loved the sound of the name,” she says, wistfully, “and I love the whole idea of the West.”

According to Colter, her father told her he didn’t like her taking a man’s name, but she admits that “maybe he was embarrassed about the history of it.” Little did he know how well that name would suit her–and that it would become much more widely known.

Now with a name to accompany the essence of otherness, of minority and outlaw that had been coursing through her as she grew, Colter began a new life.  And she found others like herself.

Rebel

Channeling her great‑great‑granduncle, Colter was surrounded by rebellious spirits. She married Waylon Jennings, the catalyst of the anti‑Nashville, anti‑southern establishment movement who fought for freedom to express his musical creativity.  Colter was drawn into a visceral group of impassioned warriors going against the grain, just as she had been called to do even as a young woman.

“They were true artists,” she says of her husband and his talented friends. “And they were men. They were strong‑minded men.” Jennings, Willie Nelson, and others were in Nashville at a time of great upheaval–a battle between the Old South and a creative revolution. Many musicians were driven away.

“Willie gave up and left Nashville,” she recalls. “Waylon stayed in Nashville and fought for creative freedom. They weren’t fighting in Los Angeles or New York, but in Nashville, where the institutions of the South were strong. Old ways in the South are hard to break.”

Colter admits that her husband’s fight for individual expression was long and difficult. But always the outlaw, Waylon continued to buck the system. “It was an honorable battle. It was one that needed to be won,” Colter says. “Waylon won the freedom for people to record in the studios they desired, with the musicians they desired.”

Revolutionary

“Waylon began bravely and he ended bravely,” Colter says. Anti‑Nashville, sparking a movement away from the “country pop” genre that was spreading in the 1970s and taking other famous free‑thinking musicians with him, Jennings was truly a revolutionary. “With Waylon you just never knew,” she laughs.  “He was such an original, he didn’t do anything like anyone else.”

It was Jennings’ creativity that excited her, and Colter was by his side every step of the way. Like many artists who struggle against the establishment, creating and innovating, Jennings also battled substance abuse. On top of that, he also had diabetes. Colter took care of him through his most difficult times.  He was able to beat his addiction and is rumored to have quit cold turkey, although he lost his battle with diabetes in 2002 at age 64.

Colter speaks lovingly of her husband, a man she likens, in her soft southern accent, to “a hard runnin’ horse.”

Mother

“Out of the Ashes” is Colter’s first CD in 20 years.  But she has no complaints.  “Waylon was working and creating and it was much easier to come in and out of the stage work for me, and for him to do the rest. That wasn’t hard for me.” 

She was cutting records, but was uninspired by her producers. She and Jennings were on the road between 200 and 300 days a year. She continued to sing and write, even when she wasn’t part of the main show. “I just didn’t have the high profile,” she says.

Jennings had children from previous marriages. “We had a whole basket‑full of children to care for,” Colter laughs. But then, 10 years into their marriage to each other, Colter and Jennings had  a son–Waylon Albright, who almost immediately earned the nickname “Shooter” when he urinated on an obstetric nurse.

Today, Shooter Jennings is a major country music star in his own right.

“Waylon was very proud to have fathered Shooter,” Colter says of her talented husband. 

Shooter Jennings will accompany his mother on stage at the Opera House. Colter finds herself presented with yet another opportunity for rebirth: a new CD, a son who carries on the legacy of his father, and the happiness and peace of mind to continue on through the present without dwelling on the past.

Phoenix

Although it is apparent that Colter is emerging from a period of grief over Jennings’ death, she does find solace in a lyric from her latest album: “Out of the greatest losses and griefs come your new emergence,” reminding everyone again of her phoenixlike nature, which is inherent in the album’s title, “Out of the Ashes.”   

“It was a great ride,” she says. “I’m healing, and Waylon wouldn’t wish that I live in sadness. And I couldn’t. My past is part of my present. That’s something I appreciate and never stop appreciating and respecting. Waylon has left me work for a lifetime to do. Our work together is providing for me now. I’m having a great time.”

The mythical phoenix bird looked down at its own ashes each time it rose. Songbird Jessi Colter, no stranger to the ritual, will be dusting off some of her own ashes when she takes the stage with son Shooter in Carefree on the first night of July.

The event begins at 7 p.m. with an outdoor barbecue on the grounds of Carefree Resort & Villas, 37220 Mule Train Road. The Opera House doors open at 7:30 p.m. Copperhead, a band from Amarillo, Texas, will take the stage at 8 p.m. and the Jessi Colter concert will begin around 9 p.m.                

Tickets are available for purchase at www.Ticketmaster.com or by calling Ticketmaster (888) 227‑7066. General admission is $45. Standing room only is $30. Seating is first come, first served. Handicapped seating is available.

Barbecue tickets can be purchased through the reservations desk at Carefree Resort & Villas. The price is $15.

Overnight accommodation packages are also available through the resort. A room plus two concert tickets and two barbecue tickets is $205. With the package, additional concert tickets are $45 and additional barbecue tickets are $10.

Tickets will be available on the day of the concert through the reservations department of the resort.  Call (480) 488‑5300.

Contact the reporter at jennifer@thedesertadvocate.com.

 
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