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| Courtesy
photo |
Jessi
Coulter returns to the stage with a new CD and a new
outlook on life.
(Click
picture for full size image) |
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| Courtesy
photo |
Shooter
Jennings, son of Waylon Jennings and Jessi Coulter,
will perform with his mother in Carefree on July 1.
(Click picture for full size image) |
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Phoenix
rises 'Out of the Ashes'
in Carefree
Jessi
Colter, wife of music
legend Waylon Jennings,
takes the stage with
son Shooter Jennings
by
Jennifer Krahe
CAREFREE
– The mythological phoenix
is said to rise out
of its own ashes only
to be reborn again and
again into eternity.
Songstress Jessi Colter,
a woman with her own
stories of rebirth,
is that phoenix of myth.
But the numerous risings
she has experienced
throughout her life
are beautifully, desperately
real.
Colter,
who was raised in the
Valley, will take the
stage at the Opera House
on the grounds of Carefree
Resort & Villas
on July 1 along with
her son Shooter Jennings.
She will be performing
songs from her latest,
aptly titled album,
“Out of the Ashes.”
Daughter
Born
Mirriam Johnson, Colter
spent the early years
of her life with her
mother, a Pentecostal
minister, at revival
meetings. “We evangelized
in the summers,” she
remembers. “I played
the accordion and the
piano.” Colter learned
much from her mother,
a woman she calls “a
true missionary, well‑built
for the calling–an eloquent,
tactful, passionate
woman.”
Her
mother’s values became
Colter’s own not because
they were forced upon
her, but simply because
of the undeniable integrity
her mother radiated.
An interesting way to
spend one’s young years,
perhaps uplifting the
spirits of the faithful
gave Colter what would
become an essential
skill throughout her
colorful, almost mythical,
life: the ability to
rise and be reborn like
the phoenix, and to
carry those who came
in contact with her
along for the ride.
Outlaw
It
had been in her all
the time, but didn’t
manifest itself until
she was parting ways
with her first husband,
Duane Eddy, the “twangy”
electric rock guitar
pioneer of the ’50s
and ’60s. Days away
from her divorce, Colter
was seeking a new beginning
without even realizing
it. “It’s really strange,”
she muses. “Sometimes
to understand the decisions
you make, you have to
go back to the time
you made them in order
to figure out why.”
“My
name was Mirriam Johnson
then,” says Colter,
who changed her name
to suit her new persona.
“It was Chet Atkins’
fault. He asked me if
there was a family name
I might want to take.”
Colter’s
father used to tell
her stories about Jesse
Colter, her great‑great‑granduncle,
who is purported to
have been the chief
counterfeiter for the
Jesse James Gang.
“I
loved the sound of the
name,” she says, wistfully,
“and I love the whole
idea of the West.”
According
to Colter, her father
told her he didn’t like
her taking a man’s name,
but she admits that
“maybe he was embarrassed
about the history of
it.” Little did he know
how well that name would
suit her–and that it
would become much more
widely known.
Now
with a name to accompany
the essence of otherness,
of minority and outlaw
that had been coursing
through her as she grew,
Colter began a new life.
And she found
others like herself.
Rebel
Channeling
her great‑great‑granduncle,
Colter was surrounded
by rebellious spirits.
She married Waylon Jennings,
the catalyst of
the anti‑Nashville,
anti‑southern
establishment movement
who fought for freedom
to express his
musical creativity.
Colter was drawn
into a visceral group
of impassioned warriors
going against
the grain, just as she
had been called to do
even as a young woman.
“They
were true artists,”
she says of her husband
and his talented friends.
“And they were men.
They were strong‑minded
men.” Jennings, Willie
Nelson, and others were
in Nashville at a time
of great upheaval–a
battle between the Old
South and a creative
revolution. Many musicians
were driven away.
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“Willie
gave up and left Nashville,” she recalls. “Waylon
stayed in Nashville and fought for creative freedom.
They weren’t fighting in Los Angeles or New York,
but in Nashville, where the institutions of the
South were strong. Old ways in the South are hard
to break.”
Colter
admits that her husband’s fight for individual expression
was long and difficult. But always the outlaw, Waylon
continued to buck the system. “It was an honorable
battle. It was one that needed to be won,” Colter
says. “Waylon won the freedom for people to record
in the studios they desired, with the musicians
they desired.”
Revolutionary
“Waylon
began bravely and he ended bravely,” Colter says.
Anti‑Nashville, sparking a movement away from
the “country pop” genre that was spreading in the
1970s and taking other famous free‑thinking
musicians with him, Jennings was truly a revolutionary.
“With Waylon you just never knew,” she laughs.
“He was such an original, he didn’t do anything
like anyone else.”
It
was Jennings’ creativity that excited her, and Colter
was by his side every step of the way. Like many
artists who struggle against the establishment,
creating and innovating, Jennings also battled substance
abuse. On top of that, he also had diabetes. Colter
took care of him through his most difficult times.
He was able to beat his addiction and is
rumored to have quit cold turkey, although he lost
his battle with diabetes in 2002 at age 64.
Colter
speaks lovingly of her husband, a man she likens,
in her soft southern accent, to “a hard runnin’
horse.”
Mother
“Out
of the Ashes” is Colter’s first CD in 20 years. But she has no complaints. “Waylon was working and creating and it was
much easier to come in and out of the stage work
for me, and for him to do the rest. That wasn’t
hard for me.”
She
was cutting records, but was uninspired by her producers.
She and Jennings were on the road between 200 and
300 days a year. She continued to sing and write,
even when she wasn’t part of the main show. “I just
didn’t have the high profile,” she says.
Jennings
had children from previous marriages. “We had a
whole basket‑full of children to care for,”
Colter laughs. But then, 10 years into their marriage
to each other, Colter and Jennings had a son–Waylon Albright, who almost immediately
earned the nickname “Shooter” when he urinated on
an obstetric nurse.
Today,
Shooter Jennings is a major country music star in
his own right.
“Waylon
was very proud to have fathered Shooter,” Colter
says of her talented husband.
Shooter
Jennings will accompany his mother on stage at the
Opera House. Colter finds herself presented with
yet another opportunity for rebirth: a new CD, a
son who carries on the legacy of his father, and
the happiness and peace of mind to continue on through
the present without dwelling on the past.
Phoenix
Although
it is apparent that Colter is emerging from a period
of grief over Jennings’ death, she does find solace
in a lyric from her latest album: “Out of the greatest
losses and griefs come your new emergence,” reminding
everyone again of her phoenixlike nature, which
is inherent in the album’s title, “Out of the Ashes.”
“It
was a great ride,” she says. “I’m healing, and Waylon
wouldn’t wish that I live in sadness. And I couldn’t.
My past is part of my present. That’s something
I appreciate and never stop appreciating and respecting.
Waylon has left me work for a lifetime to do. Our
work together is providing for me now. I’m having
a great time.”
The
mythical phoenix bird looked down at its own ashes
each time it rose. Songbird Jessi Colter, no stranger
to the ritual, will be dusting off some of her own
ashes when she takes the stage with son Shooter
in Carefree on the first night of July.
The
event begins at 7 p.m. with an outdoor barbecue
on the grounds of Carefree Resort & Villas,
37220 Mule Train Road. The Opera House doors open
at 7:30 p.m. Copperhead, a band from Amarillo, Texas,
will take the stage at 8 p.m. and the Jessi Colter
concert will begin around 9 p.m.
Tickets
are available for purchase at www.Ticketmaster.com
or by calling Ticketmaster (888) 227‑7066.
General admission is $45. Standing room only is
$30. Seating is first come, first served. Handicapped
seating is available.
Barbecue
tickets can be purchased through the reservations
desk at Carefree Resort & Villas. The price
is $15.
Overnight
accommodation packages are also available through
the resort. A room plus two concert tickets and
two barbecue tickets is $205. With the package,
additional concert tickets are $45 and additional
barbecue tickets are $10.
Tickets
will be available on the day of the concert through
the reservations department of the resort.
Call (480) 488‑5300.
Contact
the reporter at jennifer@thedesertadvocate.com.
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