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Ross Mason photo
Exhibits committee chair Betty Neal (left) and committee member and docent Maggie Simpson spend a lot of time in the Cave Creek Museum’s Collections Room organizing new exhibitions for the museum, which reopens Oct. 4th.
(Click picture for full size image)
 
Ross Mason photo
Betty Neal, chair of the exhibits committee of Cave Creek Museum, makes some adjustments to a vintage dress that is part of the museum’s upcoming exhibition of women and children’s fashions from 1860 to 1910. The dress at the right was donated by Mrs. Calvin Case and boasts a 30‑inch bosom, an 18‑inch waist and a 45‑inch train. The jacket has 12 hook‑and‑eye fasteners and two buttonholes for each button.
(Click picture for full size image)

The history gals
New season showcases talents of museum’s exhibits committee
by Chris Moore

CAVE CREEK – “You have to be a detective of sorts to put all this together,” says Evelyn Johnson as she examines a large cardboard box of photographs, papers and memorabilia.

Johnson is executive director of Cave Creek Museum and the items she is perusing will be part of a display for the museum’s reopening Oct. 4th.

When Cave Creek Museum, which features an extensive collection of prehistoric and historic artifacts that describe the lives of Native Americans, miners, ranchers and pioneers, opens for a new season, its existing exhibition of former Cowboy Artists of America board president Ray Swanson’s life and artwork will get a revitalizing facelift thanks to recent acquisitions from the renowned painter’s widow, and four new exhibits will be unveiled.

They are a Centennial Parade/Fiesta Days historical display; an exhibit of ladies fashions circa 1860 to 1910; a show of period toys called “Kids, B.C. (Before Computers),” which features a complete erector set from 1940s Manhattan donated by former Cave Creek resident Dave Warne, who received the toy for Christmas as a child; and a many‑layered look at a fascinating Cave Creek family–Samuel R. Jones, his wife Helen and their son Middleton.

The museum exhibits committee consists of Betty Neal, the committee chair; Maggie Simpson, who has been a volunteer docent for at least seven years, Maria Eannacone, who is co‑chair of the committee and a docent; and Beverly Brooks, the museum’s historian.

The Collections Room at the museum is the repository of all things historical from which the exhibits are built. Shelves stacked to the ceiling with acid‑free archival boxes form a chockablock perimeter around piles of other artifacts such as old phones, spinning wheels, sewing machines, canteens, lamps, milk cans, ploughs, some of these, a few of those, and a little this and that.

“We work from here,” says Johnson from inside the Collections Room, which is tucked into the back of the museum building behind the lunchroom, “to create what goes out there.”

According to Johnson, only 20 percent of the museum’s collection is on display at any one time. The rest is lovingly stored in the Collections Room.

But how do all these pieces of history get into the Collections Room in the first place?

“Sometimes,” Neal says, “the stuff is just left out front in paper bags,” and the history gals, these museum “detectives,” have to take it out, sort it out and figure it out before they can put it out on the museum floor in the form of an integrated exhibit that can be appreciated by the public. Sometimes this involves a good deal of research, because often donated items come to them without explanation or documentation. 

According to Simpson, there are many reasons why the community shares its memory wares with the museum, but the most prevalent is probably the desire to preserve history.

“For instance, at the closing of an estate,” Simpson says, “the kids donate everything because it’s the history of this area and they know we can preserve it for future generations.”

A good example of that is the Samuel R. Jones Family Exhibit that will be the showpiece of the museum’s season opening.

“This is one of the most interesting exhibits we’ve ever done,” says Neal, who has been working with the museum for 10 years. And she’s not alone, Johnson and Simpson also agree with that assessment.

“This,”says Simpson, “is why we spend the long hot summers doing the exhibits–for one like this. And it just dropped into our laps last summer.”

Simpson explains that Jones’ son’s wife’s cousin dropped off a big box that was apparently left over from Jones’ estate. It turned out to be a treasure trove of local historical significance which the committee is now painstakingly working from to fashion an exhibition that faithfully brings to life the narrative of the Jones family’s contribution to Cave Creek.

“We spent at least three weeks just sorting it out,” Simpson says.

According to Neal, one of the reasons the museum is so excited about this exhibit is that in 1946, Jones bought 120 acres of desert land on Cave Creek that included the Military Road Remount Station which was used by the U.S. Calvary in the 1870s. Just last year the museum established a permanent exhibit on the Remount Station from its collections and the Jones exhibit offers a new perspective for museum‑goers.

Upon acquiring his Cave Creek land, Jones started a chicken ranch where, according to Simpson, thousands of chickens provided the family’s livelihood. Records indicate that the chicken ranch delivered to more than 300 local customers.

But there was more to the Jones family than just the chicken and the egg.

Jones and his son Middleton were also pioneers in the field of medical equipment for neurological surgery in the 1940s. They were awarded four patents for their inventions–a headlock and a headrest. Prototypes of these apparatuses in chrome and red vinyl are included in the museum’s exhibition.

“He called himself a gadgeteer,” Simpson says. “And sure enough, the patents were right there in the box.”

Not to be outdone, Jones’ wife Helen, writing under her maiden name Helen Terrell at the age of 83, published a book in 1976 titled “Sex and the Zodiac,” which the dust jacket promises to feature some pretty racy material.

Another new exhibit that committee members are almost finished preparing will feature women’s fashions from 1860 to 1910.

“This exhibit is showcasing our collection of apparel from the community,” Johnson says. “At least 85 percent of our collection comes from community members.”

And when Johnson’s detectives discover a piece missing, as they did when creating this fashion show, they again turn to the natural place–the community. One of the dresses on display was missing its parasol, so Neal turned to a friend of hers who agreed to help out.

“We try to put together exhibits from our collections, but when we know of someone who has something that can enhance an exhibit,” Neal says, “we sometimes look to them.”

In this case, she called on her friend Romaine Ausman of Carefree, a member of the museum and sometime docent. Ausman, Neal says, made a pink parasol to match the dress.

But missing pieces aren’t the only problem they run up against. There are also extra inches.

“One of the biggest challenges in building a vintage fashion exhibit,” Johnson says, “is that mannequins these days are considerably larger. Most of the dresses we’re working with have 17 or 18‑inch waists, and the mannequins we have are much bigger.”

Sometimes the fit is so tight that drastic measures need to be taken and the mannequin dispensed with altogether–as with one purple dress in the show which will be stuffed with fiberfill.

At the end of the day, whether these history gals are stuffing dresses, emptying boxes, cataloguing cowbells or just telling their own tales, one thing’s for sure: for the work they do and the olden days they give new life, the least they deserve is a kind word, a pat on the back and, oh yes, the price of a ticket.

Cave Creek Museum is located at 6140 Skyline Dr. in Cave Creek. Hours are Wed., Thurs., Sat. and Sun. from 1 to 4:30 p.m., and Fri. from 10 a.m. to 4:30 p.m. For more information, call (480) 488‑2764 or visit www.cavecreekmuseum.org

Reach the reporter at cmoore@thedesertadvocate.com.

 
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