I
know my bias is showing, but it seems like finding
an actor with musical skills should have been a piece
of cake.
The
other thing that bothered me about “Mr. Holland’s
Opus” was its overdrawn sentimentality. It didn’t
take a rocket scientist to figure out where the movie
was heading. Bottom line is, though everyone else
raved about it, I didn’t like the movie that much.
Until
recently. I was cycling the other day when the closing
scenes of the movie flashed through my mind. As I
recollect, Richard Dreyfuss’ character, Mr. Holland,
is cleaning out his desk. He’s spent (wasted?) a lifetime
working at a nondescript high school as a small time
band director.
His dream was to write a great American symphony,
but the demands of making a living short‑circuited
his plans.
He’s
not famous. He never published. He merely taught high
school, a temporary job which grew into a lifelong
vocation. And now the budget bureaucrats have voted
to eliminate his position, forcing him to retire.
An old man, he ambles beside his wife and son out
of the school for the last time.
Hearing
commotion in the auditorium, he opens the door and
is shocked to discover that the entire student body
has gathered to pay their respects to the beloved
band teacher. On the stage is a former student, now
state governor. Behind her are other students, now
adults, from all walks of life, seated in sections
with instruments in hand.
The
governor said, “Mr. Holland, I know you are very disappointed
that you were not able to publish your symphony. Instead
you spent a lifetime teaching us. But never forget
this: We are your symphony, your magnum opus.” She
calls him to the stage and he directs the symphony
which he has been crafting at home all these years.
Yes,
it drips with syrup. And he directs it poorly.
But
it wasn’t the poor band directing which captured my
imagination while cycling toward
Bartlett Lake. No, I was reflecting on my life, its
changes, its challenges, its dreams, its ups and downs.
Frankly,
I’m in a lot of transition right now: dreams which
seem like nightmares, questions without easy answers,
challenges which are clearly overwhelming (kind of
like that hill on Stagecoach Pass). Will I ever get
that symphony written?
Or
maybe the symphony I’m writing is different than I’d
imagined. Maybe, like Dreyfuss.
Perhaps
I’m influencing people in far deeper ways than I realize.
I
don’t know about that. My movie isn’t over yet. But
I do know this: I could kind of go for that syrupy
Hollywood ending. Even if it’s poorly conducted.
“For
we are God’s masterpiece. He has created us anew in
Christ Jesus, so that we can do the good things he
planned for us long ago,” (Eph 2:10).