A
playwright’s life, it has been said, is made of ticket
stubs, random paragraphs from newspapers, and love
letters found blowing down alleyways. Inspiration
is always just around the corner whether a story overheard
at a lunch counter, or the sound of children’s voices
while walking past a playground.
For
celebrated local playwright Terry Earp, inspiration
has come from the saga of a local restaurateur, a
visit to remote Ireland, the onset of “the change”
and, most famously, the tales told of her husband’s
illustrious family.
Wyatt
Earp, Terry’s husband, is the great‑grand nephew
of his namesake, one of the best‑known figures
in the history of the Old West. Yet it wasn’t until
Terry started writing plays about Wyatt and his famous
cohorts such as “Doc” Holliday, “Big Nose” Kate and
Mrs. Wyatt Earp, that Phoenicians had an opportunity
to hear the deeper truths about the lawmen we all
know from so many Hollywood movies.
Early
on the morning of Sept. 16 this year, Terry Earp was
hit by an SUV while out bicycling with Wyatt and a
mutual friend. What has happened since then has been
an inspiration, not to the playwright, but to us.
In
their initial prognosis after the accident, which
damaged the fourth and fifth vertebrae, doctors did
not expect Terry to regain movement of her limbs.
Breathing required a ventilator. But they didn’t count
on Terry’s indomitable spirit, a quality she shares
with the frontier women she’s written about.
After
undergoing seven surgeries at various Phoenix hospitals
and surviving a round of infections, Terry began to
move her toes. By the end of October, she could spend
days at a time off the ventilator. By mid‑November,
she was wiggling her toes, moving her right arm slightly,
and beginning to speak. As this story is being written
(Nov. 22), Terry has just been flown to Craig Hospital
near Denver, Colo., which specializes in intense physical
therapy for victims of spinal injuries.
She’s
speaking with some regularity. According to the Web
site where her progress is being tracked (www.wyattearp.biz/update.htm),
Terry uttered this just after being told she was on
her way to Craig: “I won’t be able to get better staying
in bed! I’m ready to go where they’ll work my body,
then I’ll get better.”
This
was spoken by someone who’s already undergone the
following (also gleaned from the Web site):
-
Surgery at neck to clear debris at injury site and
rods inserted for stability.
-
Bone slivers taken from elsewhere in the body and
grafted into the damaged vertebrae areas to provide
a framework for stable mending of bones.
-
Broken bones in her left leg and hand repaired.
-
Left knee cap, severely damaged, rebuilt as well as
possible.
-
One muscle in left calf removed from one side of the
knee and reattached to the other side of knee.
-
Skin graft taken from thigh and attached over left
knee.
-
Umbrella shaped “filter” placed in an artery to capture
any clots or debris.
Anyone
with the spirit to fight back after going through
all that deserves our admiration and, if we can give
it, our help. Far from all of this was paid for by
the Earps’ insurance, so some of the family’s friends
have organized a benefit concert, with all performers
donating their talents and all funds going to help
with medical expenses.
Folk
music legend Barry McGuire and poet‑singer Rod
McKuen will headline performances Dec. 7 at 7:30 p.m.
and Dec. 8 at 8 p.m. at the Kerr Cultural Center in
Scottsdale. Arizona historian Marshall Trimble, Arizona
balladeer Dolan Ellis, and the Arizona Gunfighters
will also be on hand, plus a small army of other singing,
dancing, and storytelling Earp fans. Tickets are $27.50,
$37.50 and $47.50; call (480) 596‑2660 to help
out one of Arizona’s artistic treasures.
Terry
Earp has authored more than 30 plays, including the
comedy “Skimpies,” which earned her an AriZoni Award;
“In My Humble Opinion,” which told the surprising
story of the man who founded the Phoenix landmark
restaurant, Durant’s; and “Menopause: The Comedy,”
which ran for six months and anticipated the much‑ballyhooed
“Menopause: The Musical.”
Her
inspirations have come from every quarter, and now,
it would seem, her latest inspiration is inspiration
itself: the ability to breathe. From the horror of
a near‑fatal accident may well come Terry Earp’s
finest play. It has already produced her–and Wyatt’s–finest
moments.